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La Caravane L’Accordéoniste Jean Vaissade - Jean Vaissade (acc); Django Reinhardt (bj); unknown (slide whistle)
1928 June 20 - Paris
La Chanson Du Large Germaine Sablon (vo) - acc. by Michel Warlop et son Orchestre:
Maurice Moufflard, Pierre Allier, Nöel Chiboust (tp); Marcel Dumont, Isidore Bassard (tb); André Ekyan (cl & as); Charles Lisee (bs gnd as); Amédée Charles (as); Alix Combelle (ts); Michel Warlop (vln, arr. & leader);
Stéphane Grappelli (p); Django Reinhardt (g); Roger "Toto" Grasset (b); McGregor (dm);
1934 March 16 - Paris
La Cigale Et La Fourmie Charles Trent (vo) - acc. by Django Reinhardt and the Quintette du Hot Club de France:
Léo Chauliac (p); Django Reinhardt (g solo); Joseph Reinhardt (g); Tony Rovira (b); Pierre Fouad (dm)
1941 February 12 - Columbia, Paris
La Dernière Bergère Jean Sablon (vo) - acc. by Alec Siniavine (p); Django Reinhardt (g)
1935 January 7 - Columbia, Paris
La Fille De La Madelon Eliane De Creus (vo) et ses Boys
Michel Emer (p); Django Reinhardt (g)
1934 October 1 - Paris - (unissued)
La Pergola L’orchestre Alexander
Maurice Alexander (acc); Django Reinhardt (bj); Unidentified (slide-whistle.)
1928 July - Paris
La Petite Ile Germaine and Jean Sablon (vo)
acc. by André Ekyan (cl); Alec Siniavine (p); Django Reinhardt (g); Louis Vola (b or acc)
1935 May 17 - Gramophone, Paris
La Plus Belle Jean Vaissade (acc) - acc. by “Jiango Renard” (bj); Francesco Cariolato (xyl)
1928 June - Paris
La Rumba Da Boum Eliane De Creus (vcl) et ses Boys
Johnny Dixon (tp); Russell Goudey (tb); M.Gareau (ts,cl); Michel Warlop (vln); Michel Emer (p, ldr);
Roger Grasset (b); Max Elliot (d); Django Reinhardt was not present on this session
1934 October 1 - Paris (Salle Chopin)
Lady Be Good Django Reinhardt et le Quintette du Hot Club de France, avec Stéphane Grappelli
Stéphane Grappelli (v); Django Reinhardt (g solo); Roger Chaput, Joseph Reinhardt (g); Louis Vola (b)

From the very first session of the QHCF, "Oh, Lady Be Good" shows the group still getting its bearings.
The swing rhythms are still a little jerky, and part of the problem is Louis Vola's two-beat bass pattern. On the occasions where he plays four beats to the bar, the rhythmic issues straighten themselves out almost instantly.
After Grappelli & Reinhardt's opening figure, the guitarist takes his first solo, paraphrasing the Gershwin melody as he goes. This was a typical setup for the early QHCF sides and Django was very adept at alternating between melody and improvisation. What is already present here is Django's fine sense of sequencing and developing motives, as displayed in a superbly executed sequence near the end of his second chorus.
However, he didn't have a wide range of licks, and he had not yet developed a sense of solo structure.
There is a hint of future developments during his second solo as he strongly chords to designate the surprise modulations. Grappelli seems a little less polished than we might expect, but he delivers two red-hot solos that raise the intensity of the performance.

1934 December - Ultraphone, Paris
Lady Be Good Django Reinhardt et le Quintette du Hot Club de France
Stéphane Grappelli (v & p); Django Reinhardt (g solo); Joseph Reinhardt, Challin Ferret (g); Eamanuel Soudieux (b)
1948 March 10 - Swing, Paris
Lady Be Good Trio de Violons
Eddie South, Michel Warlop, Stéphane Grappelli (v); Django Reinhardt (g); Roger Chaput (g); Wilson Myers (b)
1937 September 29 - Swing, Paris
Lambeth Walk Django Reinhardt et le Quintette du Hot Club de France, avec Stéphane Grappelli
Stéphane Grapelli (v); Django Reinhart (g solo); Joseph Reinhardt, Eugène Vées (g); Roger Grasset(b)
Django's 1938 August 30 - London
Le Jour Où Je Te Vis Jean Sablon (vo) acc. by M. André Ekyan et son Orchestre Jazz
Gaston Lapeyronnie (?); George Hirst (tp); Eugène d'Hellemmes (tb); ? Maurice Cizereon, André Ekyan (cl,as); ? Andy Foster (as, bars); Stéphane Grappelli (v); Michel Emer (p); Django Reinhardt (g); ? Roger Grasset (b);
Morice Chaillou or Max Elloy (dm)
1934 January 16 - Columbia DF-1406, Paris

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